SONGS: A Corridor Back In Time

Jane Pauly sings Bergman's "The Way We Were" Thanks to Marv Snider

Jane Pauly sings Bergman’s
“The Way We Were”
Thanks to Marv Snider

Alan Bergman, Songwriter Thanks to Marv Snider

Alan Bergman, Songwriter
Thanks to Marv Snider

“A Song is a corridor back in time,” began Alan Bergman, half of the Alan/Marilyn Bergman song writing team, in the third Road Scholar “Creative Expression” lecture at the Chautauqua Institute.

Unfortunately, Marilyn was ill, but Alan, interviewed by Roger Rosenblatt, spoke and sang through a rich distillation of how he and Marilyn met in their twenties and in an instant began their creative lifetime of probing music for the words that lay within. “I can’t tell you enough about the melody,” he said. “Melodies have words in them. Melodies have the rhymes in them, and we have to find them.”

The last great contributors to the Great American Songbook, the Bergmans won three Academy Awards, two Grammys and four Emmy Awards. They were the songwriters of Marv’s and my generation.

My gratitude was instant the moment Alan began humming and speaking the words of “The Way We Were,” one of the 64 songs he wrote for Barbra Streisand. Marv and I watched the first time Barbra was introduced on television during The Jack Parr Show in 1961. A favorite of ours, I listened with delight as Alan spoke of his relationship to Barbra, how “you have to give her something to say and to sing.”

The movie, Yentel was a highlight of their collaboration. Barbra bought the story; the Bergmans read the screenplay. Often, Barbra would conduct a rehearsal of the movie in the Bergman’s living room. “They would then go right into the movie,” he said.

At one point, Alan, age eighty-nine, still with wonder in his craggy voice, evoked Dustin Hoffman’s character in Tootsie, a man dressed as a woman, who cannot make a commitment. “Something’s telling me it might be you,” he sang.

I so appreciated Bergman’s clear and artful articulation of the couple’s creative process. “In the writing, we never know where we are going in comparison to great writers like Irving Berlin who always knew where he was going…We just go and see what happens.” His description affirmed my own process, how my themes and storyline evolve as I write.

I marveled at how the Bergmans collaborated with many well-known song-writers, some of whom were close friends who dropped off pieces of music with the implicit request to write lyrics. The couple explore and search for the words within. Alan described it as pitching and catching. “One of us is the creator and the other is the editor, and those roles change in a second. It is very vocal.” At times, he and Marilyn would select a piece from their music “pantry” as the first ingredient in preparation for a new Broadway musical.

About the creative experience, Alan said, “You have to be ready to receive.” Indeed, I was again grateful for the resonance— how similar the Bergman’s writing process is to my own except I don’t sing; I talk out loud as I write. The sound goes right to the page.


8 thoughts on “SONGS: A Corridor Back In Time

  1. Rosemary Booth

    I like the intensity of focus in this piece about the songwriting couple’s work–not only describing the task itself, and the “matter” they create (words and melodies), but also the pattern of the processes they follow, or invent. The note about the songwriters’ roles–and role reversals!–nicely fills in the picture.

    1. fayewriter Post author

      Thanks, Rosemary— I’m always keen to learn how people approach their creativity. What was so salient in the Bergman’s life was their wide range network connection and their ability to tap in, almost without effort. Such a contrast in today’s music world in which connections take great effort and have become professionalized.

    1. fayewriter Post author

      Me, too, Sheila. It was such an engaging and fun experience, all around.

  2. Hy kempler

    Nice to know you share a creative process with a very creative other.
    I was curious about your comment that you felt instant gratitude when Alan started to sing the way we were. What form did the feeling take? Was it a sensation?
    I was comparing my reaction to yours thinking of a good shot on the golf course yesterday.
    I felt grateful that I did it. A sense of achievement not guaranteed. A combination of skill and good fortune operating in sync. As I thought about it later I said to myself that at my age it was indeed a nice thing to experience and then a greater sense of gratitude ensued.

    1. fayewriter Post author

      Hy, Yes, the feeling was a gut sensation(not unusual for me),followed by a sense of delight in the sound of his voice, craggy yet tender and evoking the tender memory of the movie with Streisand and Redford. I so enjoyed your story, how you were able to step back and take in the pleasure of your effort and the gratitude that ensured. For myself, and what I try to convey in these posts, is the experience of tuning into a sensation (noticing), giving pause and reflecting on the experience and often, its meaning…all of which your story shows. Enjoyable dialogue!

  3. Kat

    ” The sound goes right to the page. ” That’s it, Faye, from now on I am going to talk out loud as I write! <3 <3 <3

    1. fayewriter Post author

      I find it remarkably helpful in catching unnecessary words and clunky language.Let me know how it goes!

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